
Mother Courage and Her Children review – canny power from Julie Hesmondhalgh Royal Exchange, ManchesterAnna Jordan’s new adaptation sets Brecht’s anti-war play in a dystopian 2080From the lighting rig are suspended wire grids on to which are fastened ragged cardboard placards. In... |
The author on Taylor Mac’s discombobulations, Hilma af Klint’s artistic timing and piña coladas at an all-in resort in Mexico Raised in Ohio, Paris and Maryland, Anand Giridharadas was educated... |
The week in theatre: All About Eve; The American Clock; Superhoe – review Noël Coward; Old Vic; Royal Court, LondonGillian Anderson is the steely centre of Ivo van Hove’s glitzy adaptation of All About Eve, while Nicôle Lecky’s Superhoe storms the Royal Court... |
How to Rule the World review – Nakkiah Lui hits the zeitgeist, and no one leaves unscathed Sydney Theatre CompanyOne of Australia’s most interesting writers continues to evolve, in this punchy, relevant play about power and race in Canberra Aboriginal journalist Vic (Nakkiah Lui), Tongan political adviser... |
Mike Leigh on Albert Finney: had he not backed me, my career might never have happened The award-winning director remembers Finney’s unique bonhomie, from his shining legacy at Salford grammar school to his support of Leigh’s film debut Bleak Moments When I arrived at Salford grammar... |
Mother Courage and Her Children review – canny power from Julie Hesmondhalgh Royal Exchange, ManchesterAnna Jordan’s new adaptation sets Brecht’s anti-war play in a dystopian 2080From the lighting rig are suspended wire grids on to which are fastened ragged cardboard placards. In... |
James Cousins Company: Epilogues review – shades of Crystal Pite DanceEast, IpswichJames Cousins’s new triple bill, including his duet in which a dancer never touches the ground, deserves a wider audience In this triple bill at DanceEast, the London-based choreographer... |
The week in theatre: All About Eve; The American Clock; Superhoe – review Noël Coward; Old Vic; Royal Court, LondonGillian Anderson is the steely centre of Ivo van Hove’s glitzy adaptation of All About Eve, while Nicôle Lecky’s Superhoe storms the Royal Court... |
How to Rule the World review – Nakkiah Lui hits the zeitgeist, and no one leaves unscathed Sydney Theatre CompanyOne of Australia’s most interesting writers continues to evolve, in this punchy, relevant play about power and race in Canberra Aboriginal journalist Vic (Nakkiah Lui), Tongan political adviser... |
Princess & the Hustler review – vibrant family drama has heart and purpose Bristol Old Vic As the British civil rights movement gathers momentum, racial tensions threaten a family in 1960s Bristol in this locally-gestated new play An angry mob surges forward, banners... |
Olivier awards rename best director prize after omitting Peter Hall tribute Theatre gala organisers apologise for ‘serious error’ in leaving the influential director out of this year’s In Memoriam segment Organisers of the Olivier awards have said they will rename future... |
Behind the scenes at the Olivier awards – in pictures Guardian photographer David Levene was backstage at Royal Albert Hall in Kensington, south-west London Continue reading... |
'It’s very difficult to be mad as hell': the Olivier awards' best quotes Highlights from the speeches given by Bryan Cranston, Jez Butterworth, Sheila Atim and others at the 2018 Oliviers Revolutionary musical Hamilton takes home seven Olivier awards Bryan Cranston (best actor,... |
Theatreland stars turn out for Olivier awards – in pictures London’s Royal Albert Hall hosts the UK’s most prestigious theatre awards Revolutionary musical Hamilton takes home seven Olivier awards Continue reading... |
Revolutionary musical Hamilton takes home seven Olivier awards Jez Butterworth’s The Ferryman, the National Theatre and Bryan Cranston also come up trumps Hamilton, the stage juggernaut that is arguably the most popular and influential musical for a generation,... |
